Showing posts with label E. Show all posts
Showing posts with label E. Show all posts

Monday, December 3, 2012

Ergo Sum - Mexico (Fra 1971)

Ergo Sum - Mexico (Fra 1971)

Formed: 1968,    Aix-en-Provence, Provence-Alpes-Côte d'Azur, France
Disbanded: 1972 // 

Members:
* Lionel Ledissez (vocals, percussion, sleigh bells),
* Jean Guerin (flute, electric piano, piano, Rhodes, Hammond organ, whistling),
* Michel Leonardi (electric guitar, acoustic guitar, vocals, 1968-71),
* Roland Meynet (violin, electric violin, acoustic guitar),
* Max Touat (bass, double bass, acoustic guitar, 1968-71),
* B.B. Brutus (drums, congas, maracas, percussion),
* Marc Perru (guitar, xylophone, 1971-72),
* Edouard Magnani (bass, 1971-72)

Related Artists: Cruciferius, Nemo, Cochran's

Also Known As: Lemon Pies

Genres: Progressive Rock

Tracks:
01. Night Road 3:07
02. Unparalleled Embrace 2:50
03. John's Nightmare 3:58
04. Faces 6:33
05. Second Rebirth 4:15
06. Mexico 3:36
07. I Know Your Mother 8:57
08. Albion Impressions 4:57
09. Lydie 1:00
10. All's So Comic (Bonus Track) 6:07
11. Tijuana (Bonus Track) 3:47
12. It's Me (Bonus Track) 2:07
13. Mexico (Instrumental) (Bonus Track) 0:54

Tracks 1-10 et 13 (enregistred on August-September 1970):
- Lionel Ledissez / vocals, percussion, sleigh bells
- Jean Guérin / flute, Wurlitzer, Steinway, Rhodes piano, Hammond organ, whistling (1)
- Michel Leonardi / electric & acoustic guitar, vocals (3)
- Roland Meynet / violin, acoustic guitar (4)
- Max Touat / bass, acoustic guitar (6 & 7), double-bass (4)
- B.B. Brutus / drums, congas, maracas, percussion
+
- Laurent Thibault as " El Tibo " / acoustic rhythm guitar
- Dominique Blanc-Francart / moog (5)
Tracks 11 et 12 (enregistred on january 1972):
Lionel Ledissez, Jean Guérin, B.B. Brutus, Roland Meynet & Marc Perru / guitar, xylophone
- Edouard Magnani / bass
- Unknown musician / percussion

Review:
This important group, first known as Lemon Pie, was formed by Ledissez and Guerin in 1968. Their innovative blend of rock, jazz and other ingredients characteristically failed to attract French record companies, until Laurent Thibault recognised them as being really impressive in early 1971. At that time he was just about to launch his own label Thйlиme (distributed by Barclay) and offered the band recording time in the legendary Chateau d'Herrouville studio (whose famous clients have ranged from Elton John to Jethro Tull and Pink Floyd). Mexico (because Ledissez had lived there), became Thйlиme's first release, setting high standards from the outset. Ergo Sum had a really refined and tasteful sound with Ledissez's broken voice (reminiscent of Roger Chapman from Family and Alvarro Fella of Jumbo), Meynet's violin (quite similar to Dave Arbus of East Of Eden) and Guerin's chilling electric piano as their main forces.
This was not 'progressive' in the sense of 'endless instrumentais', rather more like Traffic's song-based approximation (on their second album), characterised by impeccable musicianship and songwriting. Ergo Sum used English lyrics, which was most common before Ange strengthened bands' confidence in using French. The album Mexico is a classic and still a refreshing experience to hear today.
Regretably the group only just survived into 1972, with Marc Perru (ex-Cruciferius) and Edouard Magnani replacing Leonardi and Touat. This line-up recorded a last single ('Tijuana"). Their last live engagement was performed by a different configuration, including Francois Breant (also ex-Cruciferius), Jean-My Truong (pre-Zao) and Marc Bertaux. Breant and Perru then formed a new group named Nemo.
 ~ by: Scented Gardens of the Mind.
Download Link:
Ergo Sum - Mexico (Fra 1971).rar (86.54 MB)

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Saturday, December 4, 2010

Roky Erickson And The Aliens - I Think Of Demons (us 1987, Edsel ED 222)

Roky Erickson and the Aliens - I Think of Demons (us 1987, Edsel ED 222)
[first released as "Roky Erickson and the Aliens (5 Symbols)" 1980, CBS 84463]

Born: July 15, 1947 , Dallas, TX, United States

Currently: Austin, TX, United States

Member of: The Spades, 13th Floor Elevators, Roky Erickson and the Aliens, Roky Erickson and The Resurrectionists, Roky Erickson & The Explosives, Roky Erickson & 27 Devils Joking

Also Known As: Roger Kynard Erickson [birth name]

Roky Erickson And The Aliens formed: 1978, San Francisco, CA, United States

Members:
* Roky Erickson - Vocals, Guitar,
* Bill Miller - Electric Autoharp,
* Steven Morgan Burgess - Bass,
* Fuzzy Furioso - Drums,
* Jeff Sutton - Drums,
* John Maxwell - Bass,
* Duane Aslaksen _ Guitar, Backing Vocals * Andre Lewis - Synthesizer, Keyboards [Electronic] (tracks: A2, A3, A5, B2, B4, B5)

Tracklisting:
A1. Two-Headed Dog (Red Temple Prayer) 3:20
A2. I Think Of Demons 2:47
A3. I Walked With A Zombie 4:13 (Backing Vocals - Brian Marnell)
A4. Don't Shake Me Lucifer 4:00
A5. Night Of The Vampire 2:53 (Organ [Hammond] - Link Davis)
A6. Bloody Hammer 4:22 (Bass - Stu Cook Drums - Jeff Sutton)
B1. White Faces 5:26 Drums - Scott Matthews
B2. Cold Night For Alligators 2:34
B3. Creature With The Atom Brain 3:11
B4. Mine Mine Mind 2:49 (Backing Vocals - Brian Marnell)
B5. Stand For The Fire Demon 4:19
B6. The Wind and More 3:58

Credits:
- Engineer - Bill Steele , Scott Church
- Engineer, Remix - Karl Derfler
- Executive Producer - Craig Luckin
- Leader [Musical Director] - Duane Aslaksen
- Other [Equipment Manager] - Ray Francois
- Producer - Stu Cook
- Artwork By: Captain Colourz
- All songs Written By: Roky Erickson

Notes:
Track A6 is only featured on the bootleg version of this LP.
The original/legit one doesn't have it.

Roky was raised in Austin, Texas. His father was Danish, and his mother was of German descent. His mother was an operetta singer. In 1958, she recorded (privately) a Christmas single together with her son...
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Truly amazing Album from a man with a story that put all others to shame. If you don't know his story you should check it out. Its worth the read...
~ by Josh Lazie.
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Biography:
Like Syd Barrett, a common point of reference, Roky Erickson rose to cult-hero status as much for his music as for his tragic personal life; in light of his legendary bouts with madness and mythic drug abuse, the influence exerted by his garage-bred psychedelia was often lost in the shuffle. Born Roger Kynard Erickson on July 15, 1947, in Dallas, TX, he began playing the piano at age five; by age 12, he had also taken up the guitar. The child of an architect and would-be opera singer, Erickson dropped out of high school to become a professional musician. In 1965, he penned his most famous composition, "You're Gonna Miss Me," which he first recorded with a group called the Spades. The song and his high, swooping tenor brought him to the attention of another area band, the psychedelia-influenced 13th Floor Elevators, whose lyricist and jug player Tommy Hall invited Erickson to join; the Elevators soon cut their own version of "You're Gonna Miss Me," and took the single to number 56 on the pop charts in 1966. The record's success earned the 13th Floor Elevators a deal with International Artists, but as their fame grew, so did their notoriety with local law enforcement officials, who took exception to the group's heavy experimentation with (and public support of) marijuana and LSD. The Elevators became the subject of considerable police harassment, and after Erickson was arrested for the possession of one lone joint in 1969, he pleaded insanity to avoid a prison term. A three-and-a-half year stint in the state's Hospital for the Criminally Insane followed; Erickson was diagnosed as a schizophrenic, and subjected to extensive electroshock therapy, Thorazine, and other psychoactive treatments. Though released from the hospital in 1973, Erickson was never the same person; he returned to performing with a new band, the Aliens, but his songs -- a series of horror film-influenced records including "Red Temple Prayer (Two-Headed Dog)," "Don't Shake Me Lucifer," and "I Walked With a Zombie" -- found little success. He did retain a devoted cult following, however, but his popularity was fully exploited by managers who took advantage of his instability to draw the singer into a series of unfair publishing contracts that resulted in a steady stream of unauthorized releases from which Erickson earned not a cent. In 1982 he signed a legal affidavit declaring that a Martian had taken residence in his body, and gradually disappeared from music as the decade wore on. By the 1990s, Erickson was struggling to survive on a $200 monthly Social Security stipend; after an arrest on mail theft charges (later dropped), he was re-institutionalized. In 1990, however, artists like R.E.M., ZZ Top, John Wesley Harding, and the Jesus and Mary Chain recorded his songs for the album Where the Pyramid Meets the Eye: A Tribute to Roky Erickson, which brought his work to a wider audience than ever before. In 1993, Erickson performed publicly for the first time in many years at the Austin Music Awards; a few months later, he returned to the studio with guitarists Charlie Sexton and the Butthole Surfers' Paul Leary to record a number of new songs. In 1995, Leary's bandmate King Coffey released Erickson's All That May Do My Rhyme on his Trance Syndicate label; four years later, Trance issued Never Say Goodbye, a collection of rare private recordings or unreleased Erickson compositions. (Coffey claims Erickson told him he was the first person to ever give him a royalty check for his music.) In 2001, Sumner Erickson, Roky's brother and a successful classical musician, obtained custody of Roky, who had fallen into poor health. Under Sumner's watch, Roky began receiving proper medical and dental care for the first time in years, as well as more effective treatment for his psychological problems. Sumner also set up a charitable trust to help finance his brother's care, and with the help of sympathetic lawyers attempted to sort out the legal red tape that prevented Roky from being paid for his music. A fit and relatively lucid Roky Erickson began making occasional public appearances in Austin, Texas, and in March 2005 Roky spoke as part of a panel discussion on the 13th Floor Elevators at the South by Southwest Music Conference. Roky also made a brief musical appearance with a reunited lineup of the Explosives, and a documentary on Erickson, You're Gonna Miss Me, premiered at the affiliated South by Southwest Film Festival. This burst of activity coincided with the release of I Have Always Been Here Before: The Roky Erickson Anthology, a two-disc career overview compilation. Halloween, a set of live recordings from 79-81 with the Explosives was released in early 2008.
~ by: http://www.allmusic.com/

more infos:
http://en.wikipedia.org/wiki/Roky_Erickson
...TONIGHT, THE 4th OF DECEMBER, THE GREAT ROCKY ERICSON
IS HERE IN ATHENS FOR ONE AND ONLY LIVE PERFORMANCE!
THE DOORS ARE OPENING AT 21:00 O'CLOCK...
...SO I HAVE TO BE THERE...
~ Alfaios.
ENJOY...

Download links:
...and also...
Roky Erickson And The Aliens - I Think Of Demons (us 1987).rar (92.12 MB)
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Wednesday, November 17, 2010

The Elastic Band - Expansions On Life (uk 1969, psych blues)


The Elastic Band - Expansions on Life (uk 1969, psych blues)

Members:
* Ted Yeadon (Gus Eadon) - Organ, Piano, Flute, Harmonica, Congas, Lead Vocals.
* Andy Scott - Guitar,
* Mike Scott - Bass Guitar, Tenor Saxophone,
* Sean Jenkins - Drums, Cloves.

Credits:
Artist: Elastic Band (Feat.Andy Scott guitarist Sweet band).
Title: Expansions On Life.
Genre: Psych Blues.
Related Artists: Andy Scott, Stuart Smith, The Sweet.

Artwork By: John Pickstock [Front Cover Design].
Producer: Tony Hiller.
Engineer: Martin Smith, Peter Saltersall.

Label: Pseudonym, Pseudonym.
Catalog#: CDP - 1001 - D, CDP - 1001 - DD.
Format: CD, Album, Stereo, Mono, Reissue.

Tracklist:
01. Mother Goose 4:57
02. Last Person In The Bar 5:59
03. Crabtree Farm 4:11
04. Has Anybody Seen Her 4:50
05. Dear John 4:59
06. Room Full Of Room 4:23
07. That's Nice 3:55
08. Life Still Goes On 5:02
09. Sad Jazz 4:36
10. Sunrise Work Till Sunset 6:07
CD Bonus Tracks:
11. Think Of You Baby [Mono Version] 2:44
12. It's Been A Long Time Baby [Mono Version] 2:11
13. Do Unto Others [Mono Version] 2:21
14. 8½ Hours From Paradise [Mono Version] 3:53

Notes:
- From the original Decca tapes.
- Feat. Andy Scott member of Sweet.
- (note the typo in Featering as given on the release instead of Featuring).

Tracks 1 - 10: 1969 Decca Record Company Ltd, London.
Tracks 11 - 14: 1968 Decca Record Company Ltd, London.
© 1992 Pseudonym Records Holland.

Reviews:
From North Wales, Elastic Band were one of the exponents of the UK psychedelic rock scene from the late 60’s and featured Andy Scott who would go on to become guitarist with the famous Sweet. Other members were August Eadon (Gus) who went by the name Ted Yeadon when he was a member of Elastic Band, Sean Jenkins (drums) and Mike Scott (bass - Andy's brother). The band broke up in 1969 when Yeadon accepted an offer to join Love Affair.
They released an album (LP record) entitled Expansions On Life [1969/1970] on the Decca Nova label.
Gus Eadon joined the band Zzebra in 1974.
~ From Wikipedia.
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The starting point for Sweet guitarist Andy Scott, The Elastic Band emerged from the ashes of mid-60s Welsh soul revue the Silverstone Set to make a couple of highly-regarded 1968 mod pop/blue-eyed soul singles for Decca. But a year on the underground gig circuit supporting the likes of Hendrix and Pink Floyd impacted significantly on the bands musical direction. When they returned to the studio in the summer of 1969, it was to cut Expansions On Life, a dazzling 50-minute collection of late psychedelic/early progressive rock moves which suggested that the new-look Elastic Band could be genuine contenders. Inexplicably, though, Decca delayed its release until March 1970, by which time the band had fallen apart, lead singer Ted Yeadon having left in December 1969 to replace Steve Ellis in the Love Affair. As a result, Decca barely promoted the album, which duly sank without trace. * File under: 60's Psych * Established for the last couple of decades as a heavy duty rarity amongst collectors of vintage British psychedelia and progressive rock. First-ever official UK reissue Includes bumper 20-page booklet, extensive liner notes, restored artwork and master-tape sound as well as some priceless photographs * Features all four tracks from the bands equally collectable 45s, including the regularly compiled psychedelic pop nugget 8 Hours Of Paradise
~ 991.typepad.com/991sleevenotes.

Download links:
Normal version :

Shorter version :

...and also...

http://www.multiupload.com/AIL5PYZ8TL
The Elastic Band - Expansions On Life (uk 1969, psych blues).rar (84.21 MB)
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Thursday, May 13, 2010

Eloiteron - Lost Paradise (Swi 1981)

Eloiteron - Lost Paradise (Swi 1981 private)

Formed: Switzerland

Members:
* Martin Frey (piano, organ, synthesizer, Mellotron, string ensemble),
* Dani Reimann (drums),
* Christian Frey (pianos, organ, synthesizer, Mellotron, string ensemble, vocals),
* Harry Schärer (bass, guitar, vocals, synthesizer),
* Stefan Frey (flute, trumpet, cornet, horn, soprano saxophone),
* Michi Winkler (guitars).

Tracks:
01. Time reflection (3:32)
02. Once (4:54)
03. Fantasia (5:01)
04. Where (3:32)
05. Yapituttiperslikkenberg (3:18)
06. Hommage à M... (3:07)
07. Octopus (3:58)
08. Tree of conflicts (6:45)
09. Old man's voice (7:02)

Biography:
ELOITERON is in the class of Swiss bands that carried prog into the '80's. They are a keyboard lover's band, including lots of mellotron. The '70s prog influences are there, especially in the Steve Hackett inspired guitar work. The closest comparison is another Swiss band, Flame Dream. New territory is covered in more dissonant guitar sounds, and solo trumpet. There is also flute, strings and grand piano. "Lost Paradise" is the band's only release. Shorter songs, and slick production are indicative of the times. The focus is on the instrumentals, rather than vocals (by all accounts, this is a good thing). If you are a fan of the mellotron, or interested in late '70s / early '80s Swiss symphonic movement, this is a band you may want to seek out.
~ by Ht Riekels (bhikkhu).
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Much better than average early 80s symphonic album. There were many of these type of private releases in Germany and Switzerland during this period and Eloiteron are one of the best. Trumpet adds a nice touch, and recalls the Austrian group Klockwerk Orange. Plenty of excellent organ, mellotron and flute as well. A bootleg exists.
~ by Tom (cdreissuewishlist).

Download Links:
http://www.mirrorcreator.com/files/YZHNJAUV/Eloiteron_-_Lost_Paradise__Swi_1981_.rar_links

...and also....

http://www.multiupload.com/WYTOUX1QKB
Eloiteron - Lost Paradise (Swi 1981).rar (56.7 MB)
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Monday, March 15, 2010

East - East (Japan 1972)

East [JPN] - East (Japan 1972 remastered Album)


This band of Japanese exiles released just one album, which first appeared in 1972 and makes its long-overdue CD debut here. A melodic and musicianly set featuring Japanese instruments such as the shakuhachi, koto and taisho-goto alongside the traditional trappings of Western rock and roll, it's a hugely enjoyable collection that will appeal to all fans of Easterntinged psychedelia.


Tracks:
(side 1)
01. Beautiful Morning (Ruese Seto) - 2:50
02. Me (Ruese Seto) - 3:46
03. Geese On the Road (Gen Morita) - 2:40
04. She (Ted Yoshikawa) - 2:25
05. Lumberer Moses (Ruese Seto) - 3:40
06. Deaf Eyed Julie (Ruese Seto) - 5:16
(side 2)
01. Black Hearted Woman (Ruese Seto) - 3:23
02. Call Back the Wind (Ruese Seto) - 4:35
03. Jar (Ruese Seto) - 3:04
04. Everywhere (Ruese Seto) - 4:22
05. Shin Sorllan (instrumental) (traditional) - 2:24
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Easily one of the coolest acts Capitol Records signed in the 1970s (and one of the least known), East was a five piece Japanese rock band.

Featuring the talents of :
* Fumio Adachi - drummer,
* Noboru Asahi - bass player,
* Gen Morita - multi-instrumentalist,
* Ruese Seto - singer/guitarist, and
* Ted Yoshikawa - multi-instrumental,
you've got to wonder how the group ended up signed by Capitol. Judging by their terrific 1972 self-titled debut you also have to wonder how Capitol missed the opportunity to turn these guys into international stars.
With Seto handling most of the writing chores (Morita and Yoshikawa each contributed one song), this wasn't a Japanese rock album, rather it was an American rock album with occasional Japanese influences. Those influences ranged from early-1960s folk ('Lumberer Moses') to late-1960s West Coast psych ('Beautiful Morning'). The distinction was more than simple semantics since these guys had clearly absorbed more than their share of US culture. I've played this one for dozens of friends; all of them amazed to discover the band's nationality. As lead vocalist Seto was quite impressive. Not only was his English flawless (the liner notes indicated he learned it traveling in India), but he had a voice that was dynamic and instantly likeable. The rest of the band were equally talented, effortlessly shifting gears between traditional Japanese instrumentation and straight ahead rock. Drummer Adachi and bassist Asahi were especially good.
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- 'Beautiful Morning' opened the album with a mesmerizing slice of folk-rock (emphasis on the rock component). Complete with lots of strummed acoustic 12 string guitars and an occasional touch of Japanese instrumentation for color, imagine the Kingston Trio had they ever decided to record a slice of psych-rock and you'll get a feel for this one. Easily one of the album highlights. rating: ***** stars
- 'Me' was an interesting attempt to merge West Coast psych moves with Japanese instrumentation. The result was a surprisingly trippy mid-tempo ballad that also served to showcase the band's nice harmony vocals. rating: **** stars
- Penned by Morita, 'Geese On the Road' found the band showcasing their ability to churn out a country-flavored number. Normally you probably wouldn't have paid much attention to a track like this one, but the fact they performed it with such authenticity (check out the country twang in Seto's voice), definitely captured your attention. rating: *** stars
- Yoshikawa's loan contribution, 'She' was a pretty, slightly discordant acoustic ballad that recalled something David Crosby might have penned for an CS&N outing. My only complaint with this one was that it was too brief. rating: *** stars
- I've always assumed 'Lumberer Moses' got a little jumbled in the Japanese-American translation. Another folk-rock number, this one was a little too Kingston Trio for my taste, though their harmony vocals were stellar and the mandolin was quite nice. rating: *** stars
- Opening up with a mix of discordant rock instrumentation and some traditional Japanese notes, 'Deaf Eyed Julie' quickly morphed into a nice lysergic-tinged ballad. rating: **** stars
- There wasn't a great deal to the lyric (not that I'd be turning in award winning Japanese lyrics), but 'Black Hearted Woman' offered up a nice blue-collar rock song that got much better when the guitars (including some fuzz) kicked in during the last section of the song. Drummer Adachi deserved notice for keeping the band in step and direction on this one. rating: *** stars
- Complete with flute, 'Call Back the Wind' started out as a big, hyper-sensitive ballad and then took a jazzy turn from which it never really recovered. rating: ** stars
- The first couple of times I heard 'Jar' it didn't do much for me - too old-timey cutesy for my tastes. It still isn't my favorite performance, but the...
- 'Everywhere' offered up a surprisingly impressive mixture of traditional instrumentation and song structure with English lyrics. At least to my ears the results were mesmerizing with a distinctive psych edge. rating: **** stars
- The lone performance in Japanese, 'Shin Sorllan' was supposedly a traditional Japanese tune, but sounded like a bunch of drunken Japanese businessmen taking a stab at a country song. Complete with furious acoustic guitars and what sounds like balalaikas, I smile every time I hear it. rating: ** stars
Unfortunately, releasing an album with minimal sales effectively ended their abbreviated American career. Shame.
~ Internet Sources.

Download Links:
http://www.mirrorcreator.com/files/WM0PFQA9/East_-_East__Japan_1972_.rar_links

...and also...

http://www.multiupload.com/Y1OSKDRBQ6
East - East (Japan 1972).rar (69.14 MB)
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Monday, February 22, 2010

Emerald City - Waiting for the Dawn (Canada 1976)

Emerald City - Waiting for the Dawn (Can 1976, Hippopotamus HLP 97202)

Formed: Canada

Members:
* Matthew Enright (vocals, guitar),
* George Gardos (bass),
* Patrick Saraceno (drums).

Tracks:
(side 1)
01. Opening Lines (Matthew Enright) - 0:53
02. Rythmn Highway (Matthew Enright) - 3:16
03. Hold Of My Soul (Matthew Enright) - 2:10
04. Sass (Matthew Enright) - 2:20
05. Guiding (instrumental) (Matthew Enright) - 3:22
(side 2)
06. Lonely Lady (Matthew Enright) - 3:03
07. Walk On (Matthew Enright) - 3:22
08. Waiting for the Dawn (Matthew Enright) - 2:22
09. Expressions (Matthew Enright) - 3:42
10. Little Red (Matthew Enright) - 4:48

Mid-1970s Canadian hard rock bands aren't exactly a novel concept. So, on the surface there wouldn't appear to be much to distinguish Emerald City from a slew competitors. The fact that today the band (singer/guitarist Matthew Enright, bassist George Gardos and drummer Patrick Saraceno), is hopelessly obscure would seem to reinforce the contention these guys didn't have much to offer. Wrong, wrong, wrong !!!
Released by the small Canadian Hippopotamus Records, the trio's 1976's debut "Waiting for the Dawn" was recorded in Quebec with Joey Perno and Enright producing. With Enright credited with penning all ten selections, tracks such as the instrumental 'Guiding', 'Hold Of My Soul' and the pseudo-funky 'Rythmn Highway' (sic) offered up an intriguing blend of surprisingly commercial moves and Hendrix-styled guitar. At the risk of scaring some of you off, mid-'70s Frank Marino and Robin Trower come to mind, though it isn't an exact comparison. While Marino and Trower worshipped at the Hendrix alter, these guys kept a respective distance. Among the few complaints, the female backing chorus was occasionally disconcerting ('Hold of My Soul'). One if the biggest surprised I've discovered the last year and an album that regularly visits our turntable.
~ (Badcat Records).
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The guitar revolution of the late '60s & early '70s started by such greats as Hendrix & Clapton inspired many young musicians to play searing, psychedelic and powerful guitar. Matty Enright was just such a guitar player; an up-and-coming 18 year old guitar whiz with a 17 year old drummer, Pat Saraceno who had a style that was perfect for the songs Enright was writing. George Gardos was older (27) and was a musical celeb in Montreal and New York at that time. George had played with one of Montreal’s renowned show bands called Bartholemew Plus Three which later went on to become Energy. Energy’s drummer, Corky Laing, was drafted in 1969 by Felix Papalardi, who was Cream’s producer, to form Mountain. George had jammed with Jimi Hendrix when the original Experience were in Montreal on April 2, '68, to play the Paul Sauve Arena. Jimi had stopped by with his colorful entourage at Energy’s rehearsal studio on Cote des Neiges Street and George Gardos played the bass for the entire marathon jam session that took place. George had been traveling between gigs in Montreal and NYC for a couple of years before he joined up with Emerald City. The original vinyl records of "Waiting for the Dawn" were pressed sometime in '75 and '76. No formal release date, no record launch and absolutely no promotion was ever done. Most of the original vinyl LP’s were distributed at Emerald City's live gigs and that is why they can only be found in the underground record world and with the vinyl record collectors and dealers. Independent record labels also sold thousands of the original vinyl LPs to record distributors in Japan. Emerald City performed live in nine of the ten Provinces of Canada, as well as in a handful of towns in upstate New York. In '96, after much demand, Waiting for the Dawn was reissued on vinyl and distributed in Canada, the USA, the UK and Europe. The supporting vocalists on the original studio LP were two singers who were part of a female Canadian pop vocal trio called Toulouse (Lori Zimmerman and Mary-Lou Gauthier), who had a string of pop hits in the 70’s. Mary-Lou went on to become the most known singing voice on Canadian big retail store advertisements. She also started working as a singer in Celine Dion’s recording and stage band in the 80’s. She is now living in Las Vegas and is still an important singing voice in Celine’s Vegas show band. The keyboardist, Roger Gravel, was a well renowned Canadian Broadcasting Corporation house conductor/arranger. This labor of love was and still is the highlight of Matty's career and holds a very dear place in the hearts of George & Pat as well. Matty deserves at least 80% of the credit, he wrote, sang, played, produced, directed, and generally managed every aspect of Emerald City. These are memories and souvenirs which have no boundaries in time. Who would ever think that Emerald City, Waiting for the Dawn, would make it into any future, let alone a future millennium.
~ www.myspace.com/emeraldcity1975.

Download Links:
http://www.mirrorcreator.com/files/15ATHEMU/Emerald_City_-_Waiting_For_The_Dawn__Can_1976_.rar_links

...and also...

http://www.multiupload.com/BCR3VLW40S
Emerald City - Waiting For The Dawn (Can 1976).rar (47.48 MB)
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Wednesday, December 2, 2009

Ellufant - Release Concert (Hol 1972)

Ellufant - Release Concert (Hol 1972, Obscure Dutch Experimental Rock)

Formed: Rotterdam, Zuid-Holland, Netherlands

Members:
* Ernst Kersting (keyboards),
* Cees P. de Visser (percussion)

Tracks:
01. Ubiquinon (E. Kersting) 16:05
02. Ouabaïne (E. Kersting) 16:49

Information:
- Recorded live on April 7th, 1972 at Ruimtes Situatie Centrum, Rotterdam.
- Engineered by Koos Groeneveld- Produced by Lou Thiel
- Cover by Fred Julsing - Originalaly only 150 copies pressed.
- This is the limited repress of 500 copies (vinyl not on cd).
- Has two 16 minute+ jams.
- It's similiar to early "Pink Floyd" and German bands like "Can"and experimental electronic music.

Ernst Kersting and Cees de Visser formed a duo under names like Abandoned Elephant, 11 Phant, Ellef-Fant and finally Ellufant. Kersting played his self build organ and de Visser played drums and a sort of echo machine played . Their music was very much improvised and during live performances tracks could last for about a half hour to three quarters of an hour. In 1972 they recorded a live album on behalf of Release, an organisation to help drug addicts. From this album 150 copies were made.

Reviews:
Ellufant's Release Concert has to be one of the weirdest Dutch obscurities, belonging less to the symphonic-influenced group of bands that would come later in the 70s and more to the psychedelic underground where bands like Ahora Mazda, Dennis and Ame Son reside. For 1972, Release Concert is a pretty dated album, with those late 60s organ and super wahed/fuzzed out guitar tones rambling on improvisationally. Ellufant mixed up this run of the mill, Iron Butterfly-like jamming by altering their tones, substantially at times, sometimes creating noises that sound like they originated from electronic equipment of years later. While some of these improvisations are occasionally interesting, they don't hold up too much over a full-length album, particularly because the music backing up the tonal manipulation varies very little. Surely, Soft Machine was an influence here at least in terms of the keyboards, although Ellufant don't have close to their level of chops. Not really a whole lot to say - plenty of reverb, mostly unexciting jamming, with only a bit of weird tone-tweaking to make it a bit better than average. Some obscurities were meant to be.
~ (Mike McLatchey@Gnosis).
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The Dutch equivalent of Hardin & York or Sixty Nine, this was an organ-and-drums duo. 150 copies of their album were issued and sold at gigs in order to support an organisation helping drug addicts. Included were two tracks of long live improvisations with good use of wah-wah and other pedals, resulting in a sound resembling early Mike Ratledge. Listening to the album will transport you back to the heyday of the Dutch underground. It's quite a good live performance. The album is better than you might expect in the circumstances.
~ (Scented Gardens Of The Mind, D. E. Asbjørnsen).

Download Links:
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Friday, July 24, 2009

East Of Eden - East Of Eden (uk 1971)

East of Eden - East of Eden (uk 1971, countryfolk rock)

Formed: 1967, Bristol, United Kingdom

Members:
* Dave Arbus (electric violin, flute, saxophone, trumpet),
* Ron Caines (alto sax), * Geoff Nicholson (guitar, vocals),
* Steve York (bass guitar),
* Dave Dufont (percussion),
* Jeff Allen (drums),
* Geoff Britton (drums),
* Joe O'Donnell (violin),
* Jim Roche (guitar),
* David Jack (bass).

Track Listings:
01. Wonderful Feeling (6:11)
02. Goodbye (5:48)
03. Crazy Daisy (6:54)
04. Here Comes The Day (4:33)
05. Take What You Need (5:03)
06. No Time (6:03)
07. To Mrs. V (5:18)
Total Time: 39:50

Line-up/Musicians on this album:
- Jeff Allen / drums, percussion
- Dave Arbus / violin, saxophone, flute
- David Jack / vocals, bass, guitar
- Jim Roche / guitar
The progressive rock band East of Eden's self-titeled album was released in 1971 on Harvest (SHVL 792). By the time this third album came out, little was left of the original spirit of East Of Eden and only violinist Dave Arbus of the original line-up. They had changed from one progressive label Deram to another Harvest, but also lost their experimental edge in the process. Still, the album has many charms and holds some interest for progheads. Cover design and photos by Hipgnosis.
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Biography:
Formed in 1967, this versatile Bristol, England-based outfit's best known line-up comprised Dave Arbus (violin, saxophone, flute, trumpet), Ron Caines (alto saxophone), Geoff Nicholson (lead guitar), Andy Sneddon (bass) and Geoff Britton (drums, percussion).
Their debut, Mercator Projected, offered an imaginative brew of progressive rock, jazz and neo-eastern predilections, but this robust, avant garde direction contrasted with the novelty tag placed on the band in the wake of their surprise hit single, "Jig A Jig". This lightweight, fiddle-based instrumental reached number 7 in the UK in April 1971, and in the process confused prospective audiences. East Of Eden was plagued by personnel problems and by 1972 had shed every original member. Joe O'Donnell (violin), Martin Fisher (bass) and Jeff Allen (drums, ex-Beatstalkers) then maintained the band's name in Europe before their demise later in the decade. Meanwhile, Arbus gained further acclaim for his contributions to the Who's Who's Next while Britton later joined Wings. Arbus, Caines and Nicholson reunited in 1999 to record Kalipse and have since pursued a more avant garde direction.

Discography:
albums:
- Mercator Projected - 1969 (Deram)
- Snafu - 1970 (Deram)
- East Of Eden - 1971 (Harvest)
- New Leaf - 1971 (Harvest)
- Another Eden - 1975 (EMI)
- It's The Climate - 1976 (EMI)
- Silver Park - 1978 (EMI)
- Kalipse - 1999 (Castle)
- Armadillo - 2001 (HTD)

Download Link:
http://www.mirrorcreator.com/files/0K5Z1YQH/East_Of_Eden_-_East_Of_Eden__uk_1971_.rar_links
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Thursday, July 9, 2009

Eyes Of Blue - Crossroads Of Time (uk 1968)

Eyes of Blue - Crossroads of Time (uk 1968)

Formed: Neith, United Kingdom

Members:
*Ritchie Francis (guitar),
*Gary Pickford Hopkins (vocals),
*Phil Ryan (keyboards),
*Windham Rees (drums),
*Ray Williams (bass),
*R. Bennett (bass),
*Jign Weathers (drums).

Related Artists:
Pete Brown & Piblokto!, Gentle Giant, Big Sleep, Man, Wild Turkey

Tracks:
01. Crossroads of Time 5:00
02. Never Care 3:18
03. I'll Be Your Friend 3:48
04. 7 + 7 Is 2:32
05. Prodigal Son 5:27
06. Largo 3:14
07. Love Is the Law 5:16
08. Yesterday 4:22
09. I Wonder Why 3:13
10. World of Emotion 2:48
11. Inspiration for a New Day 3:09

Biography:
By rights, The Eyes of Blue should have an exalted place in the pantheon of art-rock and progressive rock bands. They were around before almost all of them, and doing film work and making music in a jazz-rock fusion idiom before the latter had been understood, and they were signed to two major labels in succession, Deram and Mercury. Instead, except for drummer John Weathers, who later joined Gentle Giant, The Eyes Of Blue are scarcely remembered at all. The Eyes of Blue started out as a jazz and rhythm-and-blues oriented outfit (Graham Bond wrote the notes for their first album), doing songs in that vein as well as less well suited material such as "Yesterday." The group was initially signed to Decca's progressive rock imprint Deram Records, and cut a series of excellent but neglected singles, and then moved to Mercury, where they concentrated on albums, enjoying greatest musical if not commercial success. They were taken seriously enough to collaborate with Quincy Jones on the score of the movie Toy Grabbers, and the group actually managed to appear in the movie Connecting Rooms. Their early strength lay in r&b-based material, including Bond's "Love Is The Law," "Crossroads of Time," and "7 and 7 Is," but even on their first album The Eyes of Blue showed some Eastern influences Their second album had some tracks off of the first film score as well as one Graham Bond song, but is more experimental, with extended instrumental passages and some classical music influences. In late 1968, The Eyes of Blue backed Buzzy Linhart on a self-titled album. The Eyes of Blue rated a supporting act spot at the Marquee Club in London in 1969, but the group's days were numbered, given the lack of their success as a recording outfit. Phil Ryan later played in Man, and John Weathers joined Pete Brown and Piblokto! on the Harvest label, before jumping to Gentle Giant.
~ By Bruce Eder, All Music Guide.
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The Eyes debut album 'Crossroads Of Time' was eventually released early in 1969. It included two Graham Bond R&B songs (Bond also wrote the sleevenotes) 'Love Is The Law' and 'Crossroads Of Time' which was especially written for the band. It also included an interesting version of Love's '7 + 7 Is' while The Beatles' 'Yesterday' is given a treatment suggesting something of a jazz hymn. Ritchie Francis claimed the remaining songs of which 'Inspiration For A New Day' is noteworthy and 'Prodigal Son', which features some psychedelic guitar work from Ray 'Taff' Williams. 'Largo' is an arrangement of the Handel piece by Ritchie Francis and he claimed this was indicative of the way the group were going.
Following on from their earlier collaboration with Buzzy Linhart, the Eyes also worked with Quincy Jones when they contributed to the unreleased 'Toy Grabbers' film score. Later they also appeared in the film 'Connecting Rooms' as well as playing on the soundtrack, but the film wasn't given a general release in the UK.
~ By http://www.manband-archive.com/.

Download Link:
http://sharebee.com/f1f7bc96

Filename: Eyes Of Blue - Crossroads Of Time (uk 1968).rar Size: 102.89 MB
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Wednesday, July 8, 2009

Eyes of Blue - In Fields of Ardath (uk 1969)

Eyes of Blue - In Fields of Ardath (uk 1969)

Tracklist:
(side 1)
01. Merry Go Round (From the Film Toy-Grabbers) (Ritchie Francis) 9:13
02. The Light We See (Gary Pickford-Hopkins) 2:19
03. Souvenirs (Tribute To Django) (instrumental) (Django Reinhard – S. Grapelly) 2:49
04. Ardath (John Weathers) 2:45
05. Spanish Blues (Graham Bond) 4:06
(side 2)
01. Door (The Child That Is Born On the Sabbath Day) (Rhil Ryan) 6:53
02. Little Bird (Ritchie Francis) 2:42
03. After the War (Gary Pickford-Hopkins) 3:40
04. Extra Hour (Phil Ryan) 2:40
05. Chances (Ritchie Francis) 3:06
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Wyndham Rees was eased out of the Eyes Of Blue before the spring of 1969, having reputedly contributed little to the band. He was present during most of the Chappell Studios early recording sessions for the group's second album 'In Fields Of Ardath' but was gone by the time they gravitated to more modern eight-track facilities. It was released in November and is generally regarded as the more successful and 'progressive' of the two albums released under the Eyes Of Blue name. Quincy Jones supplied the sleevenotes this time, and commented; "All the ethnic qualities which I had recalled about the people of Wales were manifest in that tape. There was a native sensuality in their playing. Eyes Of Blue was musically curious." The record has also been described as having "Pop, R&B jazz, classical, psychedelic and Eastern influences." A fair sprinkling one must admit.
Download Link:
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Monday, June 1, 2009

Earth & Fire - Song of the Marching Children (Hol 1971)

Earth & Fire - Song of the Marching Children (Hol 1971 + 3 Bonus Tracks.)

Formed: November 23, 1968 , Den Haag, Zuid-Holland, Netherlands
Disbanded: 1990 //

Year of release: 1971
Original Label: Polydor, Holland (2925 003)

Musicians:
*Chris Koerts: Electric and acoustic guitar, vocals, oscillator
*Gerars Koerts: Organ, piano, mellotron, vibes, synthesizer, flute, virginal, vocals
*Hans Ziech: Bass guitar
*Ton van de Kleij: Drums, percussion, vocals
*Jerney Kaagman: Vocals

Tracks:
01. Carnaval of the animals (C. Koerts, H. Ziech, G. Koerts) [2:42]
02. Ebbtide (T. van de Kleij, C. Koerts, H. Ziech, G. Koerts) [3:07]
03. Storm and thunder (C. Koerts, H. Ziech, G. Koerts) [6:25]
04. In the mountain (C. Koerts) [3:03]
05. Song of the marching children (C. Koerts, H. Ziech, G. Koerts) [18:25]
- a) Theme of the marching children [2:20]
- b) Opening of the seal [1:10]
- c) Childhood [3:10]
- d) Affliction [1:30]
- e) Damnation [2:53]
- f) Purification [4:17]
- g) The march [3:02]
CD Bonus tracks:
06. Lost forever (C. Koerts, H. Ziech, G. Koerts) [2:48]
07. Invitation (C. Koerts) [3:50]
08. Song of the marching children (C. Koerts, H. Ziech, G. Koerts) (single version) [4:08]

Informations:
Produced by Fred Haayen and Jaap EggermontRecorded at the GTB studio, The Hague, Phonogram studio, Hilversum and Soundpush studio, Blaricum.
Engineered by Henri Bentzon, Eric Bakker, Pieter Nieboer, Jan Schuurman, Albert Kos, John Sonneveld and Dick Bakker.
Cover design by Erik van der Weijden.
Lost forever is the flip side of the Storm and thunder single.
The tracks [7] and [8] are the a- and b-side of another 7".
Both were released in 1971.

LP Polydor 2925003 (1971)
CD Polydor 831 641-2 (1987) (together with Atlantis)
CD Universal music (2004)

Reviews:
In October 1971 'Song of the marching children' was released, the second Earth and Fire album, regarded by many publications as one of the best Dutch albums ever made. This album still reaches high positions in all kinds of album charts, even after thirty years. The first album contained individual songs, but ‘Song of the marching children’ was Earth and Fire’s first concept album. It was recorded in three studios. Apart from the GTB studio in The Hague, the band also recorded in the Phonogram studio in Hilversum and the Soundpush studio in Blaricum. Producer Fred Haaven was assisted by Jaap Eggermont and Dick Bakker, the present director of the famous Metropool Orchestra, was one of the sound technicians.
~ by: flex.
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Their second album was probably their definitive masterpiece in my opinion. The sound from the debut-album had became softer, more polished and much more symphonic as the band now had introduced Mellotron to their sound. And they used it VERY well, especially on the 20-minute title-track on side 2. This was their first attempt at long-scale compositions and remains a classic among 20-minute progressive rock songs. The melodies and themes are extremely strong and the very mighty and powerful Mellotron-arrangement along with the organ, tasty synths and their vocal-harmonies with the distinctive female-voice of Jerney Kaagman in front makes this a truly delightful listen. Side 1 consists of 4 shorter tracks, but of the same high quality. "Ebbtide" sounds like one of the softer and atmospheric tracks from the debut, while the instrumental "In the Mountain" may revealed that they had been listening a bit to their countrymen in Focus. "Carnaval of the Animals" and "Storm and Thunder" were on the other hand more in their new symphonic style. The latter starts with some powerful organ before the Mellotron joins in and Kaagman starts to sing the atmospheric lyrics and then the harpsichord also starts. The track gets gradually more dramatic as the lyrics do the same. Try to get the German pressing from 1975 if you can find it, as it also includes their hit song "Memories" that previously only had been available on single.
Highly recommended .
~ by: vintageprog.com.

...And don't forget!!!!
Tyme-Machine suggests that you delete the audio files you downloaded in 24 hours and buy the album here:
http://www.musicstack.com/ and here: http://www.vinyl.com/ or here: http://www.ebay.com/ and here: http://www.amazon.com/ or in every shop you like!!!

THANK YOU ALL...
...BUT I HAVE TO DELETE THE DOWNLOAD LINK!
SORRY...
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Erlkoenig - Erlkoenig (Germany 1973)

Erlkoenig - Erlkoenig (1973 german psych progressive and symphonic krautrock + 4 Bonus Tracks)

Formed 1972, Helmstedt, Niedersachsen, Germany
Disbanded 1977 //

Members:
*Eckhardt Freynik - organ, piano, grand piano
*Friedrich Kruger - guitars
*Gunter Armbrecht - bass
*Michael Brandes - drums, vocals

Tracklisting:
01. Erlkoenig impression (8:30)
02. Tomorrow (6:02)
03. Thoughts (9:31)
04. Castrop-Rauxel (7:13)
05. Blind alley (8:07)
06. Divertimento (8:40)
Bonus tracks:
07. The lad in the fen (7:28)
08. Love is truth (2:30)
09. Run away (3:10)
10. Monday morning (4:51)

This relatively short-lived (from 1972-77) obscure German symphonic/kraut band consisted of three members from a band called Paradise on Earth, these were; keyboardist Eckhardt Franke, drummer Michael Brandes and bassist Gunter Armbrecht, when guitarist Friedrich Kruger joined, the band name was changed to ERLKOENIG (taken after the German poem of the same name, written by the famous poet Goethe), this line-up lasted until the band disbanded in 1977.Erlkoenig played a very interesting and unique blend of krautrock and symphonic rock, it would probably be fair to characterise them as a symphonic prog band with evident krautrock leanings.The music of Erlkoenig is dominated by the organ skilfully and inventively played by the main composer Eckhardt Franke, much fiercer than your average symphonic prog band.The music is full of intensity, beauty, virtuosity and fairy-tale like imagery. Their output is largely instrumental but when vocals are added it has a very unique and interesting sound as to serve the mysterious nature of the music, and also a very charming German accented pronunciation.Unfortunately Erlkoenig only released one self-titled LP during their almost 6-year long career; it was released in January 1973. It was originally privately pressed in only 1000 copies, mainly to be sold at concerts.In 2001 it was released on CD on the Garden of Delights label with 4 bonus tracks.It’s very unfortunate that Erlkoenig arn’t more known than they are, for the average prog listener there should be a lot of interesting music to seek out.If you like organ-driven music with lot of dynamics and intensity, do yourself a favour, track down a copy of Erlkoenig self–titled debut.
~ by: OldrockerBR.
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Erlkoenig, named after the famous Goethe poem and originating in Helmstedt on the former inner-German border, played powerful and inventive symphonic rock with occasional lyrics in English. Keyboarder Eckhardt Freynik, author of all the tracks, was the creative head of the band, and one would wish that he had received more recognition for his work as it seems that the world has lost an incredibly gifted musician. The guitar is also highly remarkable. Erlkoenig's only LP appeared in early 1973 with a circulation of 1000 copies and is basically known to collectors only. This CD contains four so far unreleased bonus tracks, partly in a different style.
~ by: mutantsounds.

Download Link:
http://sharebee.com/2922f4d6

Filename: Erlkoenig - Erlkoenig (Ger 1973).rar Size: 144.05 MB
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Wednesday, May 27, 2009

Earth and Fire - Earth and Fire (Hol 1970)

Earth & Fire - Earth & Fire (Dutch Prog-Rock 1970 + 9 bonus tracks)

Formed: November 23, 1968 , Den Haag, Zuid-Holland,
Netherlands Disbanded: 1990 //

Members:
*Jerney Kaagman / lead vocals
*Ton van de Kleij / drums
*Chris Koerts / guitar
*Gerard Koerts / guitar, keyboards
*Hans Ziech / bass

studio album released in 1970 + 9 bonus tracks
Ripped By: ChrisGoesRock
Artwork Included

Tracklist:
01. Wild and Exciting (4:27)
02. Twilight Dreamer (4:16)
03. Ruby Is The One (3:26)
04. You Know The Way (3:46)
05. Vivid Shady Lady (4:11)
06. 21st Century Show (4:14)
07. Seasons (4:08)
08. Love Quiver (7:36)
09. What's Your Name (3:36)
Bonus tracks:
10. Hazy Paradise (1969 b)
11. Mechanical Lover (1970 b)
12. Memories (1972 a)
13. Invitation (1971 a)
14. From The End Till The Beginning (1972 b)
15. Lost Forever (1971 b)
16. Song Of The Marching Children (single) (1971 b)
17. Thanks For The Love (1975 a)
18. What Difference Does It Make (1976 a)


This top notch Dutch band from The Hague had their pinnacle during the early Seventies when they delivered some outstanding 24 carat symphonic rock albums. EARTH & FIRE was founded by the twin brothers Chris (guitar) and Gerard (keyboards) Koerts in ‘68. Soon bass player Hans Ziech, drummer Kees Kalis and singer Lisette joined them. Unfortunately Lisette had to give up singing because of a serious eye-disease and Kees Kalis left. They were replaced by Ton v/d Kley and the beautiful, very sexy Jerney Kaagman. She was a discovery by GOLDEN EARRING singer Barry Hay, they knew each other from the blossoming rock scene in The Hague.When EARTH & FIRE had a hugh success with three Sixties poprock oriented singles “Seasons”, “Ruby is the one” and “Wild and exciting” (in ’70 all reached the Dutch Top 5), the band decided to become professionals. Gerard Koerts bought a Mellotron, this instrument changed the Dutch progrock history because EARTH & FIRE used it for a more lush symphonic keyboard sound. Eventually they developed a very unique progrock style (a bit similar to the French progrock band SANDROSE and UK band JULIAN’S TREATMENT featuring lots of organ, Mellotron, strong and sensitive electric guitar and distinctive vocals from Jerney Kaagman. And EARTH & FIRE remained successful with their single releases, the Mellotron drenched “Storm and Thunder” (’72, #6), “Memories” (’72, #1), “Maybe Tomorrow, Maybe Tonight” (‘73, #3) and “Love of Life” (’74, #2) all reached the Dutch Top 10. Also the albums in that era sold very well and gained worldwide recognition: “Songs of the Marching Children” (’71, reaching #12), “Atlantis” (’73, reaching #6) and “To the World of the Future” (’75, reaching #7) are considered as ‘progrock classics’, especially in Japan EARTH & FIRE is even more popular than FOCUS! Gradually their sound turned into more poppy, culminating into the success of the very commercial song Weekend, reaching #1 and remaining 13 weeks in the charts! Also the following albums “Gate to Infinity” (’77), Reality Fills Fantasy” (’79, reaching #2)), “Andromeda Girl” (’81, reaching #12)) and “In a State of Flux” “82) lost most of the symhonic ingredients.The albums “Song of the Marching Children” and “Atlantis” belong to the best of the Dutch progrock history. The epic title tracks from both albums (between 16 and 19 minutes) are recommended: the sound is very warm and melodic with lots of changing atmospheres, accelerations and surprising breaks. The one moment you hear a mellow organ, twanging acoustic guitars and a fairy-like voice from Jerney, the other moment there are bombastic eruptions with majestic Mellotron, heavy floods of organ and some fiery electric guitar work, topped by the powerful voice of Jerney. By the way, she has been married for almost 30 years with Bert Ruiter, former bass player from FOCUS...!
~ progarchives.com.

Download link:
http://sharebee.com/477438bc
Filename: Earth & Fire - Earth & Fire (Hol 1970).rar Size: 137.23 MB
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Wednesday, April 8, 2009

Elizabeth - Elizabeth (us 1968 psych)

Elizabeth - Elizabeth (us 1968 psych)

Formed: 1968, Philadelphia, PA, United States

Members:
* Steve Weingart (lead guitar, harp, organ, vocals),
* Bob Patterson (guitar, vocals),
* Jim Dahme (guitar, flute, vocals),
* Steve Bruno (organ, bass),
* Hank Ransome (drums).

Related Artists: Good God

Tracks:
01. Not That Kind Of Guy
02. Mary Anne
03. Dissimilitude
04. Similitude
05. You Should Be More Careful
06. The World's For Free
07. Fields Of Home
08. Alarm Rings Five
09. Lady L
10. When All Else Fails

The band originally came from Philadelphia but moved to New York in 1968, where they recorded and released their self-titled album on Vanguard Records in 1969. The album was released with a wonderful psychedelic-styled collage sleeve that gave the record buyer an impression that the band was a baroque-styled act, yet in actuality it is fairly standard late-'60s rock. The highlights of the album are the fuzz guitar-laden track "You Should Be More Careful," the haunting soft psych of the song "Alarm Rings Five," and the final and best track on the album, "When All Else Fails." The album is rounded out by a few less than interesting good-time-styled rock tracks and has a slight jazz feel in places.
~ Keith Pettipas, All Music Guide

Download Link:
Elizabeth - Elizabeth (us 1968 psych).rar

Filename: Elizabeth - Elizabeth (us 1968 psych).rar Size: 48.43 MB
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Sunday, January 18, 2009

Every Which Way - Every Which Way (uk 1970)



Every Which Way - Every Which Way (uk 1970)

Formed: May 1970 , United Kingdom
Disbanded: 1971

Members:
Graham Bell (keyboards, lead vocals), (SKIP BIFFERTY)
Alan Cartwright (bass), (PROCOL HURUM)
Geoff Peach (reeds, flute, backing vocals),
Brian Davison (drums, percussion), (THE NICE)
John Hedley (guitar).

Related Artists: The Nice, Refugee

Biography:
Every Which Way was formed by drummer Brian Davison (ex The Nice) in May 1970. After a debut album, Every Which Way, and a presentation at The Marquee, the band split up.
1 LP " Every Which Way " 1970 (PHILLIPS)

Tracks:
01 Bed Ain't What It Used to Be 9:27
02 Castle Sand 6:41
03 Go Placidly 3:50
04 All in Time 8:50
05 What You Like 3:40
06 The Light 6:14

It shouldn't be necessary to inform you about whom of The Nice' ex-members that got the most successful career after the disbanding of that group. However, both Lee Jackson and Brian Davison started their own bands, but without any noticeable success. Jackson formed Jackson Heights that were able to make as much as four albums. Davison's new group Every Which Way lasted on the other hand for only one record, and that's really not much to be sad about if the music on this album was the best they had to offer. Musically it reminds me of a jazzier and more progressive version of Gordon Haskell's "It Is and It Isn't" album, but without the good melodies. Most of the songs are stretched out by lots of tedious soloing on saxophone from Geoffrey Peach, and Graham Bell's vocal delivery sounds depressing, lacking dynamics and range. The pace of the album is slow and laid-back, rarely firing up much excitement or energy. "The Light" has got a quite good sax-riff that is used sparsely and intelligent, but unfortunately gets lost in the tedium of the rest of the song. The only track that I really care for here is "Castle Sand". This mellow and fine song has got Peach' flute floating gently around it, and the melody is one of the few memorable ones on the album. "Go Placidly" also has some good tendencies in the melodic department, but several boring aspects about it too. You should rather check out Refugee's album from 1974 instead if you want the best thing that Davison were involved in after The Nice.
~ vintageprog.com

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